If you’ve ever admired a piece of Indian bridal jewellery with uncut gemstones set into gold, framed by intricate enamel work on the reverse, you’ve likely been looking at jadau. It’s one of the oldest and most technically demanding goldsmithing traditions in the world, and it’s the foundation of every piece we make at MS Kundan Creation.
This guide walks through what jadau actually is, how it relates to (and differs from) kundan, why the craft takes so long to master, and what to look for when choosing a genuine jadau piece.
The Origins of Jadau: A Craft Rooted in Royal Patronage
Jadau jewellery traces its roots to the Mughal courts of India, where royal ateliers refined the technique over generations. Jaipur, in particular, became and remains one of the primary centers for jadau craftsmanship, home to generations of artisan families who’ve passed the skill down through apprenticeship rather than formal schooling.
The word “jadau” comes from the Hindi/Rajasthani root jadna, meaning “to embed” or “to fix in place” a fitting description of the technique itself, where gemstones are literally embedded into a soft gold base rather than clamped or glued on afterward.
How Jadau Jewellery Is Actually Made
Understanding the process makes it easier to appreciate why genuine jadau pieces take weeks (sometimes months) to complete, and why they’re priced accordingly.
Step 1: The Gold Framework
A goldsmith first shapes the base structure of the piece in gold, creating hollow cavities designed to hold each gemstone in the intended design.
Step 2: The Lac Filling
These cavities are filled with lac, a natural resin that hardens into a moldable, adhesive base. Lac gives the setter a stable surface to press stones into without needing modern adhesives or prongs.
Step 3: Stone Setting
The jadiya (stone-setter) presses uncut or minimally cut gemstones — traditionally polki (uncut diamonds), emeralds, rubies, and pearls — directly into the lac. This is where “kundan” comes in: thin sheets of 24-karat pure gold foil are used to frame and secure each stone from the front, creating the signature gold outline you see around every gem in a finished piece.
In practical terms, this hand-setting method is why no two jadau pieces are ever perfectly identical — even from the same design template, slight variations in stone shape and placement are unavoidable, and considered part of the craft’s authenticity rather than a flaw.
Step 4: Meenakari (Enamel Work)
Many jadau pieces feature meenakari — colored enamel work — on the reverse side. This isn’t just decorative flourish; historically, brides wore jadau jewellery close to the skin, and the enameled back meant the piece was beautiful from both sides, since the front (with its gemstones) would often be turned inward during certain occasions.
For general background on the enamel technique, see Meenakari — overview.
Jadau vs. Kundan vs. Polki: Clearing Up the Confusion
These three terms get used interchangeably in casual conversation, but they refer to related, distinct things:
|
Term |
What It Actually Means |
|---|---|
|
Jadau |
The overall technique of embedding stones into a lac-and-gold base |
|
Kundan |
Specifically, the pure gold foil setting method used within jadau work |
|
Polki |
A type of uncut, naturally shaped diamond commonly used in jadau/kundan pieces |
In short: polki describes the stone, kundan describes the setting method, and jadau describes the broader craft that brings them together. A “kundan necklace” and a “jadau necklace” are, in most cases, describing the same underlying technique.
Why Jadau Jewellery Remains a Bridal Staple
Jadau’s popularity for weddings isn’t just aesthetic — a few practical and cultural factors keep it central to Indian bridal jewellery:
-
Heirloom durability. Well-made jadau pieces, properly maintained, are designed to last generations, which suits their role as pieces passed down through families.
-
Customization. Because each piece is handmade, jadau lends itself naturally to custom bridal sets designed around a specific outfit, family heirloom stones, or regional style preferences.
-
Cultural continuity. Wearing jadau connects a bride to centuries of tradition, particularly in Rajasthani, Gujarati, and North Indian wedding customs.
How to Identify Genuine Handmade Jadau
If you’re shopping for jadau jewellery, a few signs separate authentic handcrafted pieces from mass-produced imitations:
-
Slight irregularities in stone placement — genuine hand-set stones are rarely perfectly uniform.
-
Visible gold foil edges around each stone, rather than a flush, machine-polished setting.
-
Enamel work on the reverse, if the design calls for it — many imitation pieces skip this entirely to cut costs.
-
Weight and warmth — genuine gold jadau has a distinct heft that plated or lightweight alloy pieces don’t replicate.
-
Provenance and artisan history — ask where and by whom the piece was made; established houses with generational artisan networks (like those historically based in Jaipur) are a strong signal of authenticity.
Caring for Jadau Jewellery
Because lac is a natural resin, jadau pieces need slightly different care than solid-set jewellery:
-
Avoid prolonged exposure to water or humidity, which can soften the lac base over time.
-
Store pieces separately, wrapped in soft cloth, to prevent scratching between gemstones.
-
Have pieces professionally checked and re-set every few years if worn frequently, as lac can shift slightly with age.